Showing posts with label Christian Dior Haute Couture. Show all posts
Showing posts with label Christian Dior Haute Couture. Show all posts

Monday, January 16, 2012

69th Annual Golden Globe Awards: Who Wore What? Charlize Theron in Custom Christian Dior Haute Couture

Charlize Theron in Custom Christian Dior Haute Couture: It was no surprise that Charlize made a jaw dropping entrance onto the Red Carpet or that she wore Dior (she is the spokeswoman in the "J'adore" perfume advertisements.)

For many this will be a Love it or Hate it look, but I thought she looked amazing and every bit the Hollywood Star. Obviously, it is hard to ever look bad if you are Charlize, but I love that she always gives a bit of drama to her Red Carpet Dressing.

Another controversial decision was to accent the look with a Diamond Cartier Headband. I'm sure many people will despise this accessory, but I think it gives her a complete look from head to toe. She went all out with this look and I love that about her!

Speaking of toes, she wore these Strappy Givenchy heels (as I've been saying Strappy Heels are back and I am THRILLED about it!)

And she was carrying this vintage inspired, beaded Dior clutch which was gorgeous!

Feel free to let me know your thoughts!! Love it or Hate it?

Saturday, December 17, 2011

Elizabeth Taylor's Couture Fetches Record Amount!


La Liz Diva:


"The Collection of Elizabeth Taylor" Auction at Christie's ended last week with a multimillion dollar BANG of a gavel! The Wednesday "Elizabeth Taylor Couture" sale--the third of a weeks' worth of auctions which included her storied jewels, clothing, accessories, memorabilia--took in $2.6 million. Of course, this didn't come close to the freewheeling frenzy which took place the day before when her prized jewels went for $116 million. But still, $2.6 million wasn't bad--all owing to Taylor's cachet, and, driven by competitive online and private collectors' phone bidding from China to Beverly Hills. All the Elizabeth Taylor Couture clothing/accessories lots sold, some beating their high estimates by more than 60 times.

What is Haute Couture Worth...after Many Many Years: “To own a piece worn by Elizabeth Taylor, the last of the glamorous, great movie stars, is priceless,” said Fern Mallis, fashion industry consultant, who attended the sale. “There are people who buy it as collectors. Vintage clothing is like buying art these days, it will only increase in value.” I'm not sure I agree--and by the low estimates the Christie's Specialists placed on the items to begin with--neither did they. I'm sure that their Fashion and Couture "Specialists" know what these items are worth on the market so possibly, fashion and Haute Couture pieces (which retail new from $30,000 for a Chanel Haute Couture suit to over $100,000 for an Armani Prive' gown) may sadly not retain--or increase in value through the years like furniture, art, for example. Unless, of course, there is a provenance--such as an Elizabeth Taylor--attached to those vintage clothing pieces. Most of her one-of-a-kind Haute Couture pieces were being estimated at only $1,000 (if that!) for a Dior Couture tunic-and-shorts ensemble (it went for $30,000 kids!).

Fashion Diva: Elizabeth Taylor was only 5' 2" tall and measured 36" bust 21" waist and 36" hips (about a 4-6 in today's sizing standards) and she was known for her fearless sense of style and throughout the years became a devoted client to all the top Haute Couture fashion houses. From cheeky Emilio Pucci tunics, Michael Vollbracht caftans, to "bling-ed"-out Versace jackets, lady-like "Jackie O" Chanel suits, to Dior, Valentino and Hubert de Givenchy gowns, Miss Taylor covered the sartorial gamut of styles. Many fashionistas and celebs were seen at the auction, eying what perhaps they might want from Elizabeth Taylor's Couture Closet, including designer/newly-minted IPO Multi-millionaire mogul Michael Kors, actress Jennifer Tilly, director Sofia Coppola and fashion designer Anna Sui. Supermodel Cocoa Rocha, walked away with...

This Givenchy 1980's yellow silk crepe de chine bolero jacket and trousers ensemble with embroidered arabesque silver and gold sequins. Included in the look was a fuchsia pink silk chiffon blouse with matching cummerbund and belt. She payed $3,250 (it was estimated to sell at $1,000-2,000). According to Rocha, she said she might wear it to next year's Costume Institute Ball.

The priciest fashion lot was this Marc Bohan for Christian Dior Spring/Summer 1968 gown above of silver-encrusted sequin brocade with a matching purse. The gown and purse fetched $362,500, compared with the $6,000 estimate Christie's put on them. Taylor wore the ensemble to the annual ball in France given by Guy de Rothschild and his wife. Miss Taylor probably paid an amount comparable to about $30,000+ for the pieces back in 1968.

Here are some more Highlights of Elizabeth Taylor and her Couture, with images of the items sold, what price and photos of when/where she wore them:


Tiziani "Scorpio" Hooded Coat: a black velvet cape 1968-1969 with diamante scorpions, lined in moire' grosgrain silk. Tiziani was an Italian-based brand founded by a Texan, no less: Evan Richards. Karl Lagerfeld freelanced as a designer for Tiziani until 1969. Therefore one could surmise that this coat was a Karl Lagerfeld for Tiziani design. Taylor wore the coat to Princess Grace of Monaco's 40th Scorpio Ball in 1969, which she attended with Richard Burton. It sold for $60,000. The Christie's "specialists" estimated it at $2,000-3,000 (poor thangs!).

Chanel Ball Gown and Cape: a scooped-neck with sleeves ethereal silver Chanel ballgown and cape of silver foil and silk chiffon from the 1960's. She wore the ensemble to the Royal Film performance of "The Taming of the Shrew" in London in 1967. The gown--along with the matching shoes and bag--went for $134,500. Christie's estimated the lot at $6,000-8,000.

Valentino Couture Ivory Silk Gown: This stunning ivory silk crepe Valentino Haute Couture long-sleeved gown features a silver hand-embroidered Snow Leopard design in the torso. Taylor wore it to the 64th Annual Academy Awards in 1992. It was estimated at $4,000-5,000. It sold for $37,500, which is probably what Miss Taylor payed for it, back then, if not more.

Arnold Scaasi "Platinum" Gown: this silver sequined cut-away leaf motif evening gown from the 1990's, sold for $72,100. It was estimated to only fetch between $800-$1,000!

Thierry Mugler "White Diamonds" Suit: this royal blue suit features a peplum'ed jacket and silver metal closure. Taylor wore this for the Launch of her Perfume, "White Diamonds" at the Plaza Hotel in NYC 1991.

Sunflower Yellow chiffon Wedding Dress: Designed by Hollywood Costume Designer Irene Sharaff--who designed her "Cleopatra" costumes. Taylor wore it to her 1st Marriage to Richard Burton. It was donated by the Elizabeth Taylor Trust to a "major American Institution" according to Christie's Head of Fashion, Patricia Frost.

"Botswana" Wedding Gown: a Gina Fratini caftan printed dress featuring a patchwork silk bodice and silk chiffon ombre' sleeves and skirt section. It also had feather-trimmed "streamers". Gina Fratini was a London-based fashion and costume designer, born in Japan. The caftan gown sold for $62,500 and was estimated by Christie's at $10,000-12,000. Miss Taylor wore it to her second marriage in 1975 to Richard Burton in Bostwana, Africa.

1987 Dior Gown: a white silk organza with black silk gazar bodice gown from the House of Christian Dior. Malcolm Forbes presented Elizabeth Taylor--wearing this gown--with a $1 million check to amFAR at the 70th Anniversary Forbes Magazine Celebration. It sold for $15,000 and was estimated to sell between $4,000-6,000.

Green Linen Embroidered Caftan: Taylor wore this in 1989 to Malcolm Forbes' 70th Birthday in Tangier Morocco at the Tangier Country Club. It went for $5,500 in the online auction.

Nolan Miller black and silver beaded gown: Taylor wore it to the Golden Globes in 1985 when she received the Cecil B deMille Award for her Outstanding Contribution in the Entertainment Field. It went for $7,500 in the online auction.

Atelier Versace "The Face" Jacket: An Atelier Versace rhinestone-beaded jacket featuring Miss Taylor in her most iconic roles, including Cleopatra. It was all hand-beaded. Taylor wore this sequined jacket to the Freddy Mecury Tribute Concert for AIDS in 1992. The jacket sold for $128,500. Christie's estimated it to sell at $15,000-20,000.

Below is a video from the auction:

Tuesday, July 5, 2011

Runway Report: Paris Haute Couture Fall/Winter 2011--Dior!!!


Dior Haute Couture...sans Galliano:


Fashion Darlings: Haute Couture Fall/Winter 2011 Fashion Week began this past Monday and ended yesterday (I know, only three days!). So, naturally, I am here as your "Fashion Servant" to give you the highlights and my "Nick V. Two Cents" on what the top designers offered in terms of these rarefied hand-made $100,000+ clothes on the catwalks. These clothes are then either shown or lent to stylists for their famous Hollywood clients to wear to BIG Red Carpet events, given to fashion editors to feature in their magazines, or hopefully, ordered by that very small list of multi-millionaire clientele (estimated at just 400 in the entire World!) from Dallas to Dubai, Mumbai, Beijing and Shanghai.

First up: Christian Dior Haute Couture:
Cirque de Couture: Christian Dior Fall/Winter 2011 Haute Couture

This show, of course, was one of the most--if not THE MOST-anticipated show of the season. Obviously since, it was the first Dior Haute Couture showing following John Galliano's unceremonious departure and firing. Lots was expected of Bill Gaytten, who has taken over (for now) as the head of the Dior Design Team. He's been with John Galliano & Co. for over 20 years so if any one can sense what Galliano would have done and what direction he would have gone in, it would be him. Did he live up to this? It seems the reaction was mixed:

Here's a quote from Tim Blanks of style.com, of what he thought of the show and the clothes:

On the evidence of today's first Dior couture show without John Galliano, what happens is a misjudged effort to impress an alien thumbprint on an aesthetic that, for better or worse, is one of the fashion industry's most clearly defined.
.....
Then came Karlie Kloss, dressed as a Pierrot, sad clown all alone in the spotlight as the soundtrack failed and glitter showered down. But the stardust missed her by this much. And that felt like some kind of crazy cosmic metaphor.
Ouch, I think...

Bronzed Twisted Princesses: Christian Dior Fall/Winter 2011 Haute Couture

The show had three distinct sections. It began with lots of color, prints, stripes, all very "Cirque de Dior". Fall/Winter for the Dior Couture ladies will not be a dark and somber one. It also looked very 80's Neon/Maripol/Stephen Sprouse/Memphis Movement. The Dior Bar Jacket showed up several times, but somehow it's still didn't have the same effect when Galliano did his magic with it. The pleating, twisting and intricate draping that the Dior Couture House of petite mains are known for, was all there. But there seemed to be something missing...

Valley of the Dior Dolls: Christian Dior Fall/Winter 2011 Haute Couture

The second section was a "Caftan" late 1970's "Disco" section and to be honest, after looking at the photos and the video, this was my favorite part of the show and I almost wish Creative Director Bill Gaytten and his Dior Design Team would have done a complete collection of Caftans, almost as a cleansing of the Galliano aesthetic. I just wished the entire show was ONE STRONG Statement a la "Flower Power Dior" (Fall 2010 Collection), "Dior Goes Equestrian" (Spring 2010 Collection), or "Tutankhamen Dior", but instead this one had several and they were rather incohesive. It should have been all "Caftan Valley-of-the-Dolls Couture!".

Petticoat Clowns: Christian Dior Fall/Winter 2011 Haute Couture

Of course, in the end, there were Ball Gowns. Huge, entrance-making ones. This was supposed to be the "Grand Finale" but again, these out-of-control gowns fell flat--especially on a runway that was not wide enough for them (what happened there?). The gown above is the one Tim Blanks was referring to--the (somewhat sad) Pierrot Clown Gown. It is definitely difficult to carry on after Galliano and only time will tell, if he will succeed. Don't miss the designer (and his assistant Susanna Venegas) uncomfortable bow at the end of the video...

Click Below for Full Video of the Christian Dior Haute Couture Fall/Winter 2011 Show:



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