Madonna and her Super Bowl Looks--Givenchy ensembles and Philip Treacy headgear!!

Super Bowl DIVA

Haute Cleopatra: Madonna as she makes her Super Bowl XLVI Halftime Show entrance, in Givenchy costume and Philip Treacy-designed headdress

Seriously...I NEVER watch Football. I know that statement doesn't come as such a surprise. I watch FIGURE SKATING. Oh, and maybe some Rugby and Soccer. Hello, have you seen those boys and their shorts??? OK, I digress. Anyhow, the last time I watched the Super Bowl was when Janet Jackson had that now-infamous Wardrobe Malfunction moment. That was EIGHT years ago. And so it took that long for me to come back and watch. Why? Well, Madonna of course! I think it was brilliant to at least for one year, take a break from the typical Country Music and Rock-and-Roll Halftime Show of usual, completely geared to the Caucasian Straight male...and well, get the GAYS to watch!!! At least, this one, and all my closest of friends.

Warrior Goddess: Madonna in Givenchy by Riccardo Tisci

The entire halftime show was FABULOUS! From the moment Miss Madonna was brought in chariot-style by all these hunky Egyptian warriors to the "I am a Blond Jesus HUNEY!!! And Don't You Forget It" I enjoyed every minute of it. Especially because of the FASHION Madonna and her "team" gave.

Superbowl Jesus Gown-Coat: Madonna Super Bowl 46 Halftime Show

Guess who styled it all? No, it was not the incorporable Arianne Phillips, Academy Award-nominee for W.E. costume designer extraordinaire--and her stylist to her most recent "Give Me All Your Luvin" video. It was all done by stylist and costume designer Bea Åkerlund - wife of director Jonas Åkerlund. Bea Åkerlund already worked with Madonna in the past and her client list also features Lady Gaga, naturally.

Her ensembles were by Givenchy and the brand's Italian Creative Director/Designer Riccardo Tisci. At first, I thought it was Versace--the black and gold studded details were VERY Versace circa 1994. "Vintage Versace" some would say. But nope, it was Givenchy.

Her extravagant headgear was designed by Haute Milliner Philip Treacy--yes, of Princess Beatrice fame. She also wore million-dollar dangle diamond earrings that once belonged to Elizabeth Taylor, and were purchased by the jeweler Marina B. from the late actress' recently auction. You can see the earrings poking from her blond locks in the above photo.

And finally, there was a "Project Runway" connection...

Madonna's Egyptian/Greek Nymphs Costumes by Rami Kashou

Project Runway Season 4 Finalist and current Project Runway All Stars contestant/designer--and friend, Rami Kashou, designed the Greek-Egyptian Warrior Nymphs' costumes seen in the screen-cap above, from the beginning of the fabulous halftime show. Congratulations to Rami for this coup! And, thanks Madonna for making me watch Football and the Super Bowl once again--after an eight year absence!

Red Carpet Report: Madonna "W.E." Red Carpet Premiere at the 68th Venice International Film Festival

La Madonna...

Madonna in Vionnet, Palazzo del Cinema, 68th Venice International Film Festival "W.E" Premiere

Tonight, the first day of September 2011, in the fabulous Italian city of Venice in the Palazzo del Cinema, Madonna GAVE it to them!!! The occasion: The Venice International Film Festival Premiere of her directorial debut, "W.E" the melodrama that chronicles the loves and lives of twice-divorced Wallis Simpson and Britain's Kind Edward VIII.

Actors Andrea Riseborough and James D'Arcy, as Wallis Simpson and Edward VIII in "W.E."

Wallis Simpson and Edward Duke of Windsor

I wrote about the Arianne Phillips-costume designed wardrobe HERE, in case you want to take a look at the fashions--as well as what THE Wallis Simpson and her husband, the Duke of Windsor, wore.

Group Couture: "W.E" Director Madonna, with actors James D'Arcy, Andrea Riseborough, Abbie Cornish and Oscar Isaac , at the 68th Venice International Film Festival "W.E." Premiere.

At tonight's Premiere in Venezia, Madonna wore a lilac-colored, armhole-cowl gown from the House of Vionnet featuring red sequined applique butterflies. She accessorized it with matching red sunglasses.

Violet Goddess: "W.E" Actress Abbie Cornish was there and wore Atelier Versace Spring 2011, a violet-colored Mermaid-shaped strapless Sweetheart-neckline Bustier gown with degrade' shading.

Atelier Back: This Atelier Versace gown--if ordered and purchased could go for $100,000. Just so you know...



Venice Ball: Andrea Riseborough, the English actress who played the part of Wallis Simpson, wore Christian Dior Fall 2009 Haute Couture--another $100,000+ gown. Incidentally, during the actual Dior Haute Couture Runway Show almost three years ago (collection was designed by the fired John Galliano), this ensemble was shown as a Ball Gown Skirt and Bra Top. A strapless draped silk bustier was added...for red carpet purposes...

Horsehair and Tulle: Madonna, Actresses Andrea Riseborough and Abbie Cornish (and Harvey Weinstein in the far top right) Palazzo del Cinema, 68th Venice International Film Festival "W.E." Premiere

Other Notables Present Included:

Designer Valentino Garavani, tan--and fabulous--as always.

Joaquin Cortes--Spanish Flamenco wunderkid and former "flame" of Madonna

Compare and Contrast: Duke and Duchess of Windsor-- Madonna's "W.E" Movie Costumes & The Real Thing!

A Style Story...



For their September 2011 issue, Vanity Fair just published photos by Tom Munro from Madonna's (Happy Belated Birthday!) feature-length directorial debut "W.E".

Madonna, the Director

"W.E." is a film on the lives of Wallis Simpson and Britain's Kind Edward VIII, who abdicated the throne to marry the twice-divorced Simpson. She became Duchess of Windsor when they married in 1937.



Academy Award-nominated Costume Designer--and longtime Madonna style collaborator Arianne Phillips (above) designed the costumes (GORGEOUS!!!). According to Phillips, she worked with design houses such as Cartier, Dior and Dunhill for the 60+ costume changes for the actors playing the Duke and Duchess of Windsor.

Costume Encounter: (Left to Right) Nick Verreos, Costume Designer Monique Prudhomme, Costume Designer Arianne Phillips, and fellow Project Runway Season 2 Designer Andrae Gonzalo

In the film, British-born actors Andrea Riseborough and James D’Arcy play the Duchess and Duke respectively. I thought it would be fun to "Compare & Contrast" between the Vanity Fair photos from the film--and the actual COUTURE the Duke and Duchess of Windsor wore (as seen through available photographs, of course). Let's take a look at some of the photos from the film with actors:

Striped Daywear: Actors D'Arcy and Riseborough--Notice the impeccable mitering (stripes matching) in her dress--that is COUTURE darling!!!

Zig-Zag Diva: Actors Riseborough and D'Arcy lounging for cocktail hour

Home Sweet (Couture) Home: Actress Andrea Riseborough, wearing Dior and Cartier jewels

Hosting Pair: Actors Riseborough and D'Arcy playing the Duchess and Duke of Windsor

The Schiaparelli Jacket, ordered by Wallis Simpson: Wallis purchased 18 items from the Elsa Schiaparelli Summer 1937 Collection for her Marriage Trousseau to the Duke of Windsor, including a gown and jacket combination of carbon blue jersey (above). The Baroque scrolls on the jacket were white leather.

Wallis Simpson--in her Schiaparelli ensemble--photographed by Cecil Beaton

Wedding Day: The Duke and Duchess of Windsor at Chateau De Conde France 1937; The simple crepe gown was designed and created by Mainbocher, a Chicago-born Paris Couturier and Paris Vogue Fashion Illustrator (his actual name was Main Rousseau Bocher). The Duke wore a Morning Suit. Her Trousseau consisted of almost 70 garments, including the above Schiaparelli suit-gown, many Chanel's and others. Diva.



Garden Chic: In 1937, Wallis Simpson posed for Vogue in a Schiaparelli evening gown that had a lobster printed on its skirt. Salvador Dalí designed the print, which also featured sprigs of parsley. The Vogue spread was intended to introduce readers to Mrs. Simpson, who in July of that year would marry Edward VIII, Duke of Windsor and abdicated King of England.

Lobster Couture: The Schiaparelli-designed Salvador Dalí-printed gown

Color Blocking: The Duke and Duchess of Windsor--and their dog--Miami, circa 1941--Between his ascot, her Cartier pin and turban, and their colored ensembles...well, I think this may be one of the fiercest "Holiday" photos ever!

Nipped In: The Duke and Duchess of Windsor, circa 1946

Resort Wear: The Duke and Duchess of Windsor vacationing in Italy, 1953--in HIGH STYLE!!! PS: Where can I get a robe like that??

High-Low: The Duke and Duchess of Windsor, early 1960's

I cannot wait to see the film and more importantly, the fashions!!! Kudos Madonna and Arianne!!!

Metropolitan Museum's Costume Institute Gala Red Carpet: Divas and A-Listers

Red Carpet Royalty.....

Diva Supreme!
(and I'm not talking about Ms. Andre Leon Talley trying to upstage her from behind!!)
Anna Wintour in Chanel Haute Couture

Monday Night was the Metropolitan Museum's Costume Institute Gala honoring the memory and amazing work of the late Alexander McQueen. This event happened only days after the House of Alexander McQueen ( headed by Sara Burton) was revealed as the designer of Katherine Middleton's Wedding Gown. So you can only imagine the excitement already swirling around in the air.

The Met Gala is always such a fun Red Carpet, because it is thought of as the "Academy Awards" of the Fashion World. The Oscars are often given the label of being safe and cookie cutter by the fashion world, so this is their opportunity to put their money where their mouth is and really give us something to talk about!!

But before we get to some of the more crazy ensembles, I thought I would highlight a few of the A-listers and Divas that really looked great on the RC.

Diane Kruger in Jason Wu: She looks breathtaking and very Old Hollywood Glamour. Love how she is workin' the slit and also the return of the strappy, more delicate heels.

Ginnifer Goodwin in Topshop Unique: Love the color and Ginnifer always knows how to highlight that fabulous face. She accented it well with that STUNNING Van Cleef and Arpels necklace.

Madonna in Stella McCartney: While I am not a huge fan of this dress, Madonna is certainly vibe-ing 1930's Hollywood Glam. We are seeing a return of the Silk Charmeuse Gowns lately and there is no doubt that Madonna is looking flawless in the close-up image above.

Ashley Olsen in Vintage Dior: Love the unexpected quality of the dress on Ashley. While she stayed within her color comfort zone (black and white), it is great to see her reveal a bit more skin and style her hair in an up-do. She looks like a Parisian Chanteuse!

Mary Kate Olsen in Vintage Givenchy: Those Olsen Girls love their vintage! Love the color and ethereal quality. The Emerald jewelry is a perfect accent.

Jennifer Lopez in Gucci Fall 2011: Love this Gucci Collection and love Jennifer in this 70's inspired chiffon halter dress. Not everyone can pull off that floral bolero, but Jennifer, always the Diva, makes it work effortlessly.

Kerry Washington in Escada: Who knew her body was this amazing?! Love the color, cut and fabrication of this gown. If only she could have stopped the hairstylist from making her look like a poodle! When in doubt, pull the hair back into a Chignon!!

Ashley Greene in Custom Donna Karan: Shoot me now, but I have actually never seen a Twilight Movie, so I wasn't completely familiar with Ashley. But she certainly made an impact on me with this gorgeous Custom Donna Karan Gown. Not a style you would normally see from DK, but she looked absolutely radiant in the dress.

Up next....The Wacky, Crazy and "Oh No She Didn't!" of the Met Gala Red Carpet!...